Alex Grey Essay

Alex Grey Essay-12
The philosophical framework from which one could view the artwork is an integral and consciousness evolutionary perspective. Bach, Beethoven, Shubert, Shpongle, Ott, Fats Waller, Led Zepplin, Tool, loads of trance music, Toires, Heyoka, Crystal Method, Animal Collective, Bob Dylan, Canned Heat, Joe Satriani, John Fruscianti, Moby, Peter Gabriel, The Beastie Boys, Clash, Stones, The Beatles. Recently, at Daniel Pinchbeck’s documentary film premiere of 2012, Sting came up and hugged Alex. Our daughter Zena queues us into a lot of new music. Sacred space has always been created by the intertwined wills of people dedicated to a divine purpose.This is a crucial time for humanity when all the world religions are becoming familiar with each other. Your larger pieces are often reduced in size to appear in various media – books, calendars, postcards, and on the web. Is anything lost in the art, when it’s reduced from the original size? We’re huge fans and look forward to seeing them on our last night in Australia. We are both rather avid scholars of Tibetan Buddhism and we hung out once at a Dalai Lama event. Creating and sharing sacred art can be a form of worship and service, introducing a transformed world view to community and activating cultural renewal.

The philosophical framework from which one could view the artwork is an integral and consciousness evolutionary perspective. Bach, Beethoven, Shubert, Shpongle, Ott, Fats Waller, Led Zepplin, Tool, loads of trance music, Toires, Heyoka, Crystal Method, Animal Collective, Bob Dylan, Canned Heat, Joe Satriani, John Fruscianti, Moby, Peter Gabriel, The Beastie Boys, Clash, Stones, The Beatles. Recently, at Daniel Pinchbeck’s documentary film premiere of 2012, Sting came up and hugged Alex. Our daughter Zena queues us into a lot of new music. Sacred space has always been created by the intertwined wills of people dedicated to a divine purpose.This is a crucial time for humanity when all the world religions are becoming familiar with each other. Your larger pieces are often reduced in size to appear in various media – books, calendars, postcards, and on the web. Is anything lost in the art, when it’s reduced from the original size? We’re huge fans and look forward to seeing them on our last night in Australia. We are both rather avid scholars of Tibetan Buddhism and we hung out once at a Dalai Lama event. Creating and sharing sacred art can be a form of worship and service, introducing a transformed world view to community and activating cultural renewal.

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Examples of Alex’s striking art are embedded throughout this interview.

Andrew: Many readers of would be unfamiliar with your work. What are some of the values that you try to instill in the students who take your courses?

We both saw our infinite interconnectedness with the great web of all existence, a love energy flowing through all beings and things. It seems like a massive undertaking, yet having not visited, it’s hard to picture. Many artists resonate with the practice of art as their spiritual life.

Co SM lives on 40 wooded acres in the Hudson Valley of New York, 65 miles north of New York City, walking distance from a railroad station running from Manhattan’s Grand Central Station.

We started holding Full Moon ceremonies in our home in Brooklyn in 2003, had a spiritual creative art center in Manhattan for five years, and now an artists refuge. The Chapel of Sacred Mirrors is yourself, the temple of your body and the temple of your spirituality. If we do not get along, our progress is impaired in making something beautiful and of having a sustainable relationship with the planet. To make art and have others love it and want to see it is a terrific honor. At 21 I worked in the Anatomy department at Harvard Medical School, preparing exhibits on the history of medicine and disease and preparing cadavers for dissection by medical students.

Unless I’m mistaken, you seem to both now thrive on the notion of patronage – you’re financially supported by your fans and followers, who pay you to express yourselves through art. Every creative person yearns to live by their creativity. We decide what art we are making and we make it to serve the greater good. At 26 I was a medical illustrator and for ten years I taught anatomy to art students at New York University (NYU).Their answers formed the basis of my 800 word story for , which you can read here.Our full email interview is below; Alex’s answers are included verbatim, without editing.As a child he was fascinated by the concept of death and used to collect dead insects which he buried in his backyard.His artistic bent of mind was also evident from his childhood and he was encouraged to draw by his graphic designer father.Co SM has six buildings and a barn and one by one we are make them beautiful and enjoyable as we design and prepare to build the sacred temple. When you surrender to love you see through God’s eye.A small staff lives on the property and many volunteers come to joyfully serve the project. That is what you see when you are staring at a Sacred Mirror. If we all get along we can make something beautiful together.His works explore the physical, metaphysical and spiritual anatomy of the human life experiences in a blend of visionary and postmodern art.Visons of Alex Interview by Thomas Lyttle High Times June, 2002 Alex Grey is one of the most widely recognized psychedelic artists of our time.Of course, we’d like to be represented by the completed and sustainable building of the Chapel of Sacred Mirrors. Alex Grey is an artist whose works cover a diverse variety of art forms including painting, sculpture, visionary art, performance art, and installation art.

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