Essay Poetry Write

Essay Poetry Write-24
The student’s explication continues with a topic sentence that directs the discussion of the first five lines: However, the poem begins with several oddities that suggest the speaker is saying more than what he seems to say initially.For example, the poem is an Italian sonnet and follows the abbaabbacdcdcd rhyme scheme.For example, the first line of Keats’ “Ode on Melancholy” presents the reader with a problem: If we determine the regular pattern of beats (the meter) of this line, we will most likely identify the line as iambic pentameter.

The student’s explication continues with a topic sentence that directs the discussion of the first five lines: However, the poem begins with several oddities that suggest the speaker is saying more than what he seems to say initially.For example, the poem is an Italian sonnet and follows the abbaabbacdcdcd rhyme scheme.

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Again, this line is predominantly iambic, but a problem occurs with the word “Disobedience.” If we read strictly by the meter, then we must fuse the last two syllables of the word.

However, if we read the word normally, we have a breakage in the line’s metrical structure.

In this way, the poet forges a tension between meter and rhythm: does the word remain contained by the structure, or do we choose to stretch the word out of the normal foot, thereby disobeying the structure in which it was made?

Such tension adds meaning to the poem by using meter and rhythm to dramatize certain conflicts.

Note that monosyllabic words allow the meaning of the line to vary according to which words we choose to stress when reading (i.e., the choice of rhythm we make).

The first line of Milton’s Paradise Lost presents a different type of problem.

The speaker notes that the city is silent, and he points to several specific objects, naming them only in general terms: “Ships, towers, domes, theatres, and temples” (6).

After describing the “glittering” aspect of these objects, he asserts that these city places are just as beautiful in the morning as country places like “valley, rock, or hill” (8,10).

The following are the four most common metrical feet in English poetry: Any number above six (hexameter) is heard as a combination of smaller parts; for example, what we might call heptameter (seven feet in a line) is indistinguishable (aurally) from successive lines of tetrameter and trimeter (4-3).

To scan a line is to determine its metrical pattern.

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