The significance of the difference, notwithstanding the employment by the author of one of his favourite words, ‘shadow’, is that it is optimistically inconclusive but the disparity between the two endings clearly defines the author’s own increasingly embittered view of life. True, the couple depart the ‘ruined place’, an emblem of the wreckage of their shared past, but the ‘mists’ remain to obscure the certainty of unbounded happiness present in the ‘tranquil light’. Pip’s encounter at the beginning of the novel, in the graveyard where his parents are buried and from the stones of which he gains his only sense of self, with the terrifying convict, Magwitch, whom he is compelled to help yet for whom he feels compassion, is quickly followed by his being called to ‘play’ by the enigmatically grotesque Miss Havisham, shrouded in her wedding gown and frozen in time as a result of her being jilted, and this juxtaposition has much importance as the plot progresses, clearly foreshadowing the later unravelling of the mystery of Pip’s benefactor.
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Check out the following sample to see how this type of papers should be written.
Judging by Pip’s sister attitude towards him, Pip should have felt guilty about everything he did, even for his living.
Once during a dinner, the boy kept asking avalanche of questions thus making his sister angry to such an extent that she said people were put in the prison because of their evil actions, but what was interesting they “always began by asking questions” (Dickens 19).
In fact, the true gentleman of the book is Joe, as Pip ultimately realises.
In , Dickens is attempting to write both a mystery story, influenced by his friend Wilkie Collins’ success with the genre, and to examine the nature of what makes a man the object of respect and admiration.This novel, however, contains an interesting and informative retrospective by the author on aspects of his life, hidden from even those closest to him, which he had first addressed in the painfully autobiographical surrounds the life of an orphaned boy, Pip, who is brought up ‘by hand’ by his rather cruel sister and her kindly husband, Joe, the local blacksmith, to whom Pip turns for the only affection available.He sees Joe less as a father-figure than ‘a larger species of child, and as no more than my equal’ and this rather telling reference to ‘equality’ is to be one of the major themes of the book, i.e.written by Charles Dickens is considered to be a classic novel consisting of various levels that can be interpreted on several aspects.The following paper focuses on the theme of guilt which starts to be evident from the very beginning of the novel till the last chapter.By making Pip want to ‘climb the ladder’ he is investigating the way in which Victorian society operated: more on wealth and station than worth.He was, indeed, ambivalent even about the ending to the novel, wanting at first to have Pip emphatically destined to marry Estella: I was very glad afterwards to have had the interview; for, in her face and in her voice, and in her touch, she gave me the assurance, that suffering had been stronger than Miss Havisham’s teaching, and had given her a heart to understand what my heart used to be.You will see how to formulate the main ideas that are covered or disclosed in the essay.Pay special attention to the material, as it makes the sample more original and interesting.The plot advances significantly when Pip is told, by the sudden arrival of the lawyer, Jaggers, that he is to be the recipient of funds from an unknown benefactor which will make his dream come true and so begins the London phase of his life where he meets the amiable Herbert Pocket and his feckless family, the amusing and shrewd clerk, Wemmick, and re-encounters Estella.Pip is naturally encouraged by both circumstance and history to believe that it is Miss Havisham who is his benefactor but in fact, it is Magwitch, the convict, he helped as a child, who is making him into a gentleman, as he learns when Magwitch suddenly appears, and this dislocation of origins adds to Dickens’ development of the central theme of gentility.